depeche mode: violator

I remember their arrival onto the New Romantic/synth pop scene of 1981; they were duly poppy and synthy. Then Vince Clarke left (for the glories of Yazoo) and, whilst they continued to figure in the charts, I never took them seriously. Then it sounded like they went all dark and strange and - well, who needs that?


But they've lasted and often to great acclaim. So I've decided to give a listen to one of their most vaunted albums, Violator.


And I have to say it's rather good - yes, dark & strange it is but with a certain something that demands a more sustained hearing.

But their own original version of Personal Jesus isn't a patch on Johnny Cash's version.