Great to see some Adrian Snell albums appearing on spotify. Let's hope it isn't long before his whole catalogue is available there.
Anyway, here's a link to his latest offering, Every Place Is Under The Stars.
just a rag-bag collection of thoughts - some theological, some poetical, others merely alphabetical. All original material copyright Richard Myerscough.
Sunday, June 28, 2009
Friday, June 26, 2009
Wednesday, June 10, 2009
the young gatsby's struggles
But his heart was in a constant, turbulent riot. The most grotesque and fantastic conceits haunted him in his bed at night. A universe of ineffable gaudiness spun itself out in his brain while the clock ticked on the wash-stand and the moon soaked with wet light his tangled clothes upon the floor. Each night he added to the pattern of his fancies until drowsiness closed down upon some vivid scene with an oblivious embrace. For a while these reveries provided an outlet for his imagination; they were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy's wing.
F. Scott Fitzgerald, The Great Gatsby, p.79
Tuesday, June 09, 2009
the great songs (xxv) - the cutter
What sadness attends this final post in the series! But The Cutter by Echo & The Bunnymen almost makes me want to start a sub-genre: songs I'd love to sing on a karaoke night. (Just for the record, I've never been to one....)
There are lots of reasons I'm including this here. The sheer energy of the playing; grand, but not grandiose. The singing that just about stays this side of histrionic, pummeling the emotions out of their shell. And the intriguing lyrics: will I still be soiled when the dirt is off? Hmm.
They had a great run of singles in the mid 80s - I first sat up and took notice with the charting of The Back Of Love and fell head over heels in love with The Killing Moon (which would be a worthy substitute for The Cutter - check out the All Night version here; more memories of confined evenings in a Doncaster bedsit in '84, with Kid Jensen on the evening Radio 1 slot). And Never Stop was an unusually-affecting song, falling between the Porcupine and Ocean Rain albums.
Sure, they were overblown and maybe took themselves too seriously but they were young and so were we. Who isn't guilty?
One final reason for choosing this one: the memory of the song playing on the jukebox in the Cov Poly Student Union bar one night and a couple looking into each other's eyes and singing, 'Not just another drop in the ocean'.
I've often wondered whether they went the distance.
There are lots of reasons I'm including this here. The sheer energy of the playing; grand, but not grandiose. The singing that just about stays this side of histrionic, pummeling the emotions out of their shell. And the intriguing lyrics: will I still be soiled when the dirt is off? Hmm.
They had a great run of singles in the mid 80s - I first sat up and took notice with the charting of The Back Of Love and fell head over heels in love with The Killing Moon (which would be a worthy substitute for The Cutter - check out the All Night version here; more memories of confined evenings in a Doncaster bedsit in '84, with Kid Jensen on the evening Radio 1 slot). And Never Stop was an unusually-affecting song, falling between the Porcupine and Ocean Rain albums.
Sure, they were overblown and maybe took themselves too seriously but they were young and so were we. Who isn't guilty?
One final reason for choosing this one: the memory of the song playing on the jukebox in the Cov Poly Student Union bar one night and a couple looking into each other's eyes and singing, 'Not just another drop in the ocean'.
I've often wondered whether they went the distance.
Friday, June 05, 2009
the great songs (xxiv) - rhinestone cowboy
Well, many weeks back I was convinced I'd have to include Glen Campbell's Wichita Lineman in this list but then I heard Rhinestone Cowboy on the radio and knew straightaway the latter had supplanted the former. Not because it's a better song, per se - I think Lineman has one of the all-time great lyrical couplets ('And I need you more than want you, and I want you for all time'). It's a truly worthy, special love song, of the old fashioned variety. They justifiably call it sophisticatiion. So why did RC win the day?
I think it's down to the overall singalong quality of the song - it's got great momentum from the off; once heard, never forgotten. But, perhaps moreso, it's down to the memories it evokes, memories that are touched with the deep sadness of loss right now: life at 41 Y Ddol in Pwllheli; listening to Mam's radio in the kitchen, watching Top Of The Pops, lying on the floor doing homework. Mid 70s homelife.
And I think, too, that the lyrics were deep enough to spark some thoughts in my 12 year old brain. Thoughts about life being less than straightforward. About compromise. About the hope of redemption.
(Really worth checking-out is his 2008 album, Meet Glen Campbell, with some great cover versions and other stuff. Go, Glen; long may you run)
I think it's down to the overall singalong quality of the song - it's got great momentum from the off; once heard, never forgotten. But, perhaps moreso, it's down to the memories it evokes, memories that are touched with the deep sadness of loss right now: life at 41 Y Ddol in Pwllheli; listening to Mam's radio in the kitchen, watching Top Of The Pops, lying on the floor doing homework. Mid 70s homelife.
And I think, too, that the lyrics were deep enough to spark some thoughts in my 12 year old brain. Thoughts about life being less than straightforward. About compromise. About the hope of redemption.
(Really worth checking-out is his 2008 album, Meet Glen Campbell, with some great cover versions and other stuff. Go, Glen; long may you run)
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